Some have even reported excellent results by using two moderately-set instances of the plug-in back-to-back in the mastering chain.Like the L2, the Waves L1 Ultramaximizer is a studio standby that you will find in many audio engineer’s plug-in toolbox. As with any plug-in strapped onto a mastering chain, you will want to use this one judiciously in order to avoid “overcooking” your mix and squeezing out all the dynamics. Generally, I find it works the best when I need to get something sounding super snappy and punchy.While many dynamics processors detect when the level goes over a certain reference level, the Trans-X detects when gain rises faster than a certain velocity reference. For even more of that juicy analog character, you can pass the signal through a bit-by-bit recreation of the EMI TG12410 mastering console on its way to the modeled vinyl lathe.For more creative treatment, Abbey Road Vinyl adds the ability to move the tone arm across different areas of the “record”, with each setting resulting in noticeable differences in frequency response.
This means the signal can be low at times and higher at other times, and the transients will still be detected and re-shaped consistently. The I’ve always liked the sound of Vitamin. What are the best Waves plugins for mastering? Sometimes there is a need to reach for some color and mojo. From industry-standards such as the L2 Ultramaximizer, to vintage models such as Abbey Road Vinyl, to precise meters such as the WLM Plus Loudness Meter, Waves offers a wide range of mastering tools to improve your sound. And when I’m doing production or mixing work, the I am a heavy user of transient shaping plugins. It sounds clean and does what you expect it to, with minimal fuss. Among these are an input module, a tone (EQ) module, a compressor/limiter, and a filter. So take a look around at what each plugin has to offer. I think there are many better options out there now for mastering than what Waves currently have to offer. There is a small learning curve involved with the Abbey Road TG Mastering Chain. Waves Infected Mushroom Pusher. It is also a great companion plugin to the If you are looking for a master bus compressor that gives you thickness, movement, and character, you could do a lot worse than the The H-Comp is not a typical clean mastering compressor. Waves Plugins #6 - API Collection The API EQ’s and compressor are another instant classic for many professional studios. Download and install the Waves Central application from Waves.What do you think? Let me know in the comments section and I’ll get back to you. You can re-balance the left and right components without affecting the position of the center image. Waves L3-16 Multimaximizer. But on the master I usually want a limiter that keeps the material as intact as possible.A great example of such plugin in a similar price range is the Tokyo Dawn Labs Limiter 6: If I were to use something from Waves, I would go for the L3-16. But the good old The Linear Phase Multiband Compressor is very well tuned for mastering purposes. While this plugin is not primarily designed for mastering purposes, I still find myself drawing for it sometimes. The Waves Linear Phase EQ is one of the best examples of this type of processor, and it’s somewhat surprising how effective and great-sounding it is for the price.With True Peak domain settings and Automatic Release Control, many producers find that this L1 is just as useful for mixing and mastering today as it ever was.Most users of the L2 and the L1 seem to bounce back and forth between the two depending on the specific application. It is the best Waves compressor for mastering. The nature of some of the controls (particularly on the compressor) is not instantly obvious.
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